Revisiting “VENT!: The Online Magazine for Disgruntled Filmmakers” (Part 1)

Posted By on May 1, 2016

Way back in 1997, after I had completed producing my one and so far only feature film on a $60,000 budget, I launched a semi-popular website called VENT! It focused on the flourishing world of indie filmmaking at a time when regular folks were maxing out multiple credit cards (à la Kevin Smith’s CLERKS) or enrolling themselves in paid scientific research studies (à la Richard Linklater’s SLACKER) to finance their own films. VENT! was a venue for indie filmmakers to share and bitch about how hard it was to make and make money from a film on your own.

VENT-logo

Now here I am, almost 20 years later, and I still have the film bug. I still write screenplays between my prose work. And I still want to direct another film. (Ideally one more successful than my first opus.) I believe I still boast the visual storytelling chops, and desire to demonstrate them… as soon as I can get somebody to give me the funds to do so. (Major lesson I learned from my first opus: use other people’s money.)

I recently came across the content of VENT! on my computer and thought it would be an interesting, inspiring, perhaps painful reminder of what true independent filmmaking entails. Turns out much of it is as relevant today as it was in ’97.

To start this series of posts off, below is the homepage introduction to the site:

“I’m shocked when I read things calling the new generation slackers or Generation X. This is a great, great generation. They are totally passionate about the cinema, the law, cooking. And there is no place for them.” -Francis Ford Coppola

Independent filmmaking is booming, and the explosion has left many an indie filmmaker writhing in its aftermath. More independent films (especially low and no budgets) have been made in the past five years than have been produced in the previous twenty-five years.

Here is a no-punches pulled (excepting slanderous allegations), no-bullshit (okay, maybe a little bullshit) place to vent all your frustrations about the medium you, as a filmmaker, so passionately embrace. This is the online magazine to bitch and moan about everything in this biz that vexes you, and to educate fellow film and video makers on what to do and what to avoid. Here we can benefit from each other’s experiences, or inexperience, with major studios, production companies, distributors, exhibitors, producers’ reps, film festivals, attorneys, agents and critics. It is not meant to discourage or bum out struggling filmmakers. Rather, it is a reality check for us, composed of doses of venom, advice and humor. It is to show all indie filmmakers that we’re not alone in our efforts to get our films made and seen, and that, in this ever-morphing industry, there often are no hard and fast rules to succeed. It might not make us feel any better to learn there are so many of us striving to get noticed, but hopefully it will rouse support and spark ideas among the independent film community.

VENT is group therapy for down-but-not-yet-out movie makers.

VENT will also have interviews with established indie filmmakers who tell how they got where they are, as well as with suicidally-in-debt filmmakers who are still waiting to be discovered and just trying to survive. If you are an indie filmmaker who has produced a film and can’t get it sold or screened, or if you’re an aspiring filmmaker who can’t get your film financed, or if you’re just someone who wants to “let ’em have it” in the motion picture business, write to VENT about all your trials, troubles and tribulations.

Remember, every filmmaker, whether you have made a film or not, is alike in one respect: We all share a dream. VENT will wake us up.

About the author

Sawney Hatton is the author of the Dark Comedy novel DEAD SIZE, the YA novella UGLYVILLE, and the offbeat short story collection DARK SPACES, and the editor of the Sci-Fi Horror anthology WHAT HAS TWO HEADS, TEN EYES, AND TERRIFYING TABLE MANNERS?

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